“IN DEEP WITH THE QATARIS”

12 May

Marie-Antoinette_par_Elisabeth_Vigée-Lebrun_-_1783

THE MOST POWERFUL SCUMBAGS PEOPLE IN THE ART WORLD

Supposedly to tie in with the opening of the Frieze and Gap Art Fair in New York– but really apropos of nothing except “ooh, rich people”– somebody called Jason used their own drool (he also contributes to human-shaped joke Tyler Brulé’s Monocle. QED.) to write out a super-duper tip-top list of “the most powerful people in the art world” for The Guardian.

It’s the usual soul-crushing litany of scumbags, twats, con artists, plutocrats and fuckwits but the real enjoyment is to be found in the torrent of vituperation and scorn in the comments. Read them all because there’s some good stuff about the chasm between this tiny, elite art world and what most real artists do or want to do, and what the public wants from artists. Here’s a few of the best comments, complete with the typos from their authors (rightly) being so angry they couldn’t quite control their fingers:

“It’s literally about handjobs, 110% about who you know twixt how well you speak bullshit. For instance if you can write a side of A4 to place next to a sock on the floor, explaining it’s existential significance then you are ready for the big time.”

“And what all this has to do with art? Art is a form of expression, it has nothing to do with power. A true artist is a fee person who is looking for personal satisfaction before anything else. This people are businessmen, money-makers, looking for power and prestige.”

“This something of an art world. It is not the art world. It’s the kind of art world that many who don’t like or understand the practices of contemporary art wish into existence. Farago even seems to identify goodies and baddies. (He is only a journalist) There are many art worlds.”

“Recent academic research reveals a developing gap between the comic-book art world outlined above, and practitioners and audiences, ranging from disenchantment to alienation. A recent publication (Art Production Beyond the Art Market edited by Karen van den Berg & Ursula Pasero) outlines something of the fundamental changes in art production, artists’ strategies and in the interconnection of different fields of cultural practice. Much of it makes the group above look as relevant in 2014 as Stubbs or Kahnweiler or Peggy Guggenheim. The only thing that connects them is wealth…”

“Why does the Guardian grovel and dribble at the mouth over these people? Where’s the critique? Where are the big analytical articles highlighting the shameless collusion of our “top” artists and galleries with the whims and tastes of a detached, decadent global super-rich elite – people who have primarily made their fortunes in a brutally unequal economic system that condemns millions to misery? As a newspaper you have pursued politicians, corporations, policemen and exposed corruption and criminality, but when it comes to the art world you go all starry-eyed and are content to make fawning, adulatory lists. You should be ripping into these people, every single one of them.”

“We need another term for this. It has nothing to do with art, really, so why refer to it as the art world? It’s just a subset of the larger commodity investment field, not so very different than trading in pork belly futures or real estate. Let’s please leave the word art out of it.”

“Depressing that half the collectors on this list stole their money from their own people – or go out with someone that did.”

“A useful list, should the revolution ever actually happen.”

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One Response to ““IN DEEP WITH THE QATARIS””

  1. Alistair 12/05/2014 at 11:26 PM #

    Reblogged this on Alistair Gentry.

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