“I’M SORRY, HE’S FROM BARCELONA”
Dramatic readings of the worst artist statements, gallery press releases and art criticism. All real, all serious, all horribly written. I apologise in advance for any foreign or jargon words that I accidentally pronounced correctly. This time, an artist expresses his utter disdain for and rejection of the fetishised, unique art object and the mystique of the all-powerful curator by working with a curator to create and display unique, fetishised art objects at a gallery in Barcelona. Under some of the pretentious self-importance there’s actually quite a lot I agree with in the text that follows. However, I rarely go to the trouble of writing lengthy screeds against certain practices or attitudes only to immediately turn around and take part in them with gay abandon. At least not knowingly.
“Beneath the dark and pestilent surface of the current state of affairs sunken in corruption and despair, frivolousness and aesthetic vanity, there is an emergent narcotic period in which almost no one bothers to assess and understand the process behind a work of art.”
Why should they? If an artist’s process is the most interesting thing about their art, then their art is probably not very interesting and neither are they, as artists or as human beings.
“The frivolousness is not Manzoni and his Artist’s Shit (which it turns out was not even artist’s shit) but crosses the world in a network of interests, favoritism and opportunism that inform debates and openings. Gillo Dorfles predicted that the critic would end up substituting for the artist. Perhaps he only erred in the nomenclature, for the word that describes him has gradually been replaced by others, such as curator or cultural administrator. Emmanuel Lévinas, who is more self-effacing, tells us that not only the name, but also the figure, as seen in the previous century, has now disappeared.”
Unless the people to whom you refer genuinely are cultural touchstones that any educated person in the world could be expected to know, either (briefly) explain who they are, or at least provide a proper reference for the source of your quote or paraphrase. Otherwise you’re just name dropping.