Tag Archives: Debut Contemporary

DOUBLE TROUBLE

25 Jun

GOT 99 PROBLEMS BUT THE TRUTH AIN’T ONE

Sad news. Notting Hill shopkeepers, “Art as Lifestyle” buccaneers and massive Career Suicide fans Debut Contemporary recently experienced some kind of unfortunate IT glitch, leading to the total loss of all the one star reviews and negative comments on their Facebook page. Luckily, all the uncritical or gushing four and five star reviews were uneffected. Even better, somebody screencapped all the bad reviews before they disappeared. I’m sure Samir will be pleased to know they weren’t lost and are still circulating freely.

Following this tragedy on Facebook, I couldn’t help noticing some of their excellent photography.

MoreenYantobWho’s this? Only bloody “Moreen Lipman” and “Alan Yantob” [both sic and, evidently, sick if they really endorse this place] as proudly namechecked in the DC prospectus. Maybe they’re impersonators who have to style themselves thusly in order to avoid legal action from the real has-been actress and the genuine middlebrow art Hobbit. Samir’s also apparently had a go with other art world titans such as Jason Donovan and Alan Carr. I know, impressive. One time I was on at a Virgin Megastore with Kylie Minogue, though, on the same fucking poster and everything, it was like Alistair Gentry 2pm Kylie Minogue 3pm. Think on that and what it says about my importance to the field of Fine Art.

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“I CHOKED ON MY LOAD”

5 Dec

IMG_6858Those of you who are interested in the antics of “top tastemakers” Debut Contemporary should visit Charlie Tuesday Gates and read about her CON ARTIST demonstration/infiltration at their Christmas party. She’s brave (and firmly within the law– she very shrewdly checked with the police first!), righteously angry, funny, and among other things you will learn:

  • About Debut’s “CEO” [sic] Samir Ceric and his failed “airline” that wasn’t really. According to company records at Duedil.com he is 39 years old and has TWENTY-THREE known defunct businesses behind him. Therefore if they were spread out evenly throughout every year of his adult life this would amount to at least one defunct business for every single year since 1992. He retired from only three, i.e. in only three cases does it appear the company outlived his involvement. The closed companies include two (Globace Ltd, and the interestingly named Salon Gallery Ltd) flagged in the database as having, quote, “possible adverse information” about the financial risk and general advisibility of dealing with these companies. There’s another one– Graduate Art Fair Ltd– that is also dissolved but seems only to be recorded at Companies House and not on the Duedil database.
  • How Ceric also claimed to be a board member for the British Council (with screengrab proof of the since deleted page. Addendum: actually amended– page is still there but it now says he just attended a workshop, alongside at least one known crony of his from elsewhere) and how that didn’t go down at all well with the British Council… because he wasn’t a board member. Not even close. He also seems to be doing the “who’s going to check this magazine or quote actually exists?” press clippings trick.
  • How DC tried to reel Gates in even though she turned up to her interview with a dead fox in a suitcase… then persisted in citing her as one of their success stories for a year after she’d told them where to go. (A correspondent tells a similar story here about her asking them to remove a spurious testimonial and an unauthorised image from their promotional literature three years previously.)
  • How, when the police were called to remove Gates and her crew, the police apparently agreed that Ceric might well be liable to prosecution based upon the information available about him.

and, last but not least, as CTG says:

  • “You can’t buy your way in. There is no shortcut to fame and glory.”

Anyway, her post is far funnier and more inspiring than my boring summary so I suggest you go and read it.

http://www.charlietuesdaygates.co.uk/2013/12/con-artist-crimes-against-artists.html

And to The Hospital Club, The Guardian, and various other supposedly reputable people or organisations who shouldn’t really in good conscience be having anything to do with Debut Contemporary instead of taking everything they say and do at face value… having carried out the basic and not very time consuming homework you should have done before you endorsed Debut Contemporary I’m sure I can speak for Charlie Tuesday Gates and myself when I say: you’re welcome.

DISINFORMATION CATALOGUE

22 Aug

DC1

DO YOU LIKE EVENING CLASSES, TATLER, WILD CLAIMS, SPENDING MONEY AND BEING TREATED LIKE A BATTERY CHICKEN? IT’S YOUR LUCKY DAY

Thanks to several informants (who didn’t know about any of the other people who simultaneously tipped me off) I’ve become aware that my dear old friends, the vanity artist farmers Debut Contemporary, have been trawling for fat new wallets. Market Project is currently on hiatus and not being updated, but you can read my original article about Debut Contemporary there, plus hundreds of comments including damning– and in a few cases, somewhat heartbreaking if not harrowing– testimony from former clients of theirs. You can also read sock puppet comments from their cronies, and see documentation of failed attempts by these cronies to secretly defame me and my colleagues for criticising them.

I’ll get to Debut Con’s hilarious “information catalogue” for artists anon, but firstly here’s what was spammed out to the artists in question. I’ve removed the rash of links that were provided, so anybody who’s tempted to visit them thinks twice before doing so. At least twice, preferably more than twice.

Dear [MAIL-MERGED NAME OF ARTIST],

My name is Laura Ellis. I work for Debut Contemporary art gallery in Notting Hill* and I would like to offer you the opportunity to apply to the Debut Contemporary professional development programme as our select committee has shortlisted you. I saw your work on the Art Slant online catalogue and was very impressed.

NOTES: You mean this Art Slant, the one that indiscrimately slurps up the names, exhibition lists, biographies and work of artists without their knowledge, instruction or consent… then has the cheek to ask artists to “claim” all these things, which are already theirs? The site at which no link is provided for an artist to tell Art Slant that they should get you the hell off the site because you don’t take kindly to the spurious implication that you support their site and business by choosing to be on there? The catalogue of artists that includes critical darlings like Ryan Gander (claim your profile, Ryan!) who I daresay wouldn’t think it’s very cool that Art Slant is potentially damaging their credibility and the value of their work? The Art Slant that’s so indiscriminate in its scraping of information and profile building that firmly and definitively deceased artists like Mark Rothko are being asked to “claim their profile”? Joseph Beuys, Piet Mondrian, Jackson Pollock, Man Ray: you name an artist who’s pushing up the daisies and they’ve been Art Slanted.

Or to put it as succinctly as one person who wrote to me: “God knows what the point of it is and WHO THE FUCK uses it to find artists?” Apart from Debut Contemporary, obviously.

There are twenty artists with the surname Gentry on the site, but I’m not. DEVASTATED EMOTICON/HASHTAG DEVASTATED.

* Sample of a recent tweet by Laura: “listened to @BBCR1 this morning about Ibiza! So I went in to my unpaid internship, quit and got on the next plane! lol jks im on the tube.” I’m sure Samir and Zoe were pleased to hear how much you love your unpaid internship, Laura. Is your bipolar Twitter saga of joy and angst over cocking up an Excel spreadsheet the reason they’ve recently been advertising for a new intern?

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